July 17, 2014



Bright red walls contrast with vivid green lawns at this art and culture centre in Portugal by Lisbon architecture firm Future Architecture Thinking  Located in the town of Miranda do Corvo, Casa das Artes is made of three differently sized volumes that are painted red all over to help the building stand out as much as possible from its surroundings.
Asymmetric roof profiles were intended by Future Architecture Thinking to correspond with the angular rooftops of nearby houses, as well as with the irregular geometries of the distant Lousã Mountains.
"The proposal is based on a contemporary language that is structurally very strong through the continuity between the facades and the roof," said the architects.
"The slopes of the roof look for identification with the city rooftops and the use of the strong colour is intended to create a building which is immediately recognisable by the public," they added.
A chimney-like skylight stretches up beyond the roof, drawing evening sunlight from the west down to a covered terrace at the building's entrance.
The largest of the three volumes accommodates the stage of a 300-seat auditorium, while seating extends back into a second block positioned behind.
This block also contains the auditorium foyer, which doubles up as a split-level gallery for temporary exhibitions, while an independent cafe is housed in the third and smallest block.
Photography is by João Morgado.
Read on for more information from Future Architecture Thinking:
The Casa das Artes (House of the Arts) in Miranda do Corvo expresses the meeting between two identities, rural and urban, in a landscape marked by the Lousã Mountains.
The building features a contemporary and volumetrically expressive language. The sloping roofs establish a dialogue with the geometry of the mountain landscape, in an analogy to the village rooftops. The dynamism achieved through the continuity between facades and roof is accented by a strong red colour, emphasising its design and highlighting the building through the surrounding landscaped area vegetation.
More than a building, the Casa das Artes pretends to be an iconic landmark, celebrating the place where people meet, where culture and art happens, a space capable of promoting and stimulating creative activity, increasing the population quality of life.
The project was conceived by creating versatile spaces, technically suitable for different kinds of events, in order to serve all segments of the population.
The deployment area was optimised to favour landscaped spaces, allowing the creation of an amphitheatre for outdoor events, integrated in a garden which is a public space for the village, with several spaces and inviting pathways for leisure.
The building consists of three volumes reflecting different sorts of use: the first one containing the stage areas, the second comprising the audience and foyer, and the third with a cafeteria and a future museum area, which constitute a visually independent volume.
The proposed diversity of accesses for the building attempts to emphasise the characterisation of this site as a public space, while allowing the public direct access of specific places, such as the museum area and cafeteria, independently, without passing through the auditorium.
The main entrance is through the foyer. This space may function as exhibition area which can be divided into two by a short flight of stairs. From here depart two paths to an auditorium for nearly 300 people, with a motorised orchestra pit and six technical levels, properly equipped for holding theatre performances, opera, concerts, conferences or lectures.
The cafeteria can operate independently from the rest of the building, or even serve as an entrance point providing access to the auditorium. This space has a covered terrace with a skylight oriented west, channelling sunset light into its interior. The terrace area gives access to a multimedia room. The facade of the museum area is facing the northern part of the garden where one of the main entries is located and the outdoor amphitheatre.
Client: Municipality of Miranda do Corvo
Location: Miranda do Corvo, Portugal
Area: 2.360 sqm
Architect: FAT – Future Architecture Thinking
Project Team: Architect Miguel Correia, Architect Cláudia Campos, Architect Sérgio Catita, Architect Patrícia de Carvalho, Architect Miguel Cabral, Architect Margarida Magro, Architect Sara Gonçalves, Architect Telmo Maia, Architect Gabriel Santos, Architect Hilário Abril, Engineer José Pico, Landscape Architect Sara Távora
Year: 2010/2013

Miguel Correia was born in Lisbon in February of 1961. In 1987 he earned a degree in Architecture from the Faculdade de Belas-Artes (school of fine arts) at Lisbon’s University. Between 1979 and 1982 he studied Civil Engineering. Following graduation, Miguel Correia initiated his professional activity with two other architects in a small firm. In 1983 he had the opportunity to work with Terry Farrell and, through him, with several british firms. This marked a period of intense learning. In this professional context he carried out rehabilitation projects (Alcântara Maritime Station and Rossio Train Station) and infrastructure and planning projects (Barreiro Terminal and Lisbon’s Waterfront Masterplan). He also participated in national and international (Oriente Station, Macau’s Cultural Center and Expo’98 Masterplan Competition). Miguel Correia is the author of three books including a historic retrospective about the importance of the work of builders in Lisbon in the XX century and two monographs.
Miguel Correia leads his team at the firm FAT – Future Architecture Thinking and maintains professional associations with several European architects (Norman Foster, Jean-Michel Wilmotte, Marc Rolinet, Ricardo Bofill). Between 2002 and 2004 he was one of Lisbon’s City Hall consultants for the regional master plan.
At present moment, Miguel Correia develops projects across the country and abroad, including in Hungary, Northern Ireland, Estonia, Brazil, Angola, Guinea-Bissau, Sao Tome and Principe, Morocco, Algeria, Libya, Philippines and Macau, which represent the internationalization of his work.
The FAT - Future Thinking Architecture it is an Architecture, Urban Design, Landscape Architecture and Multimedia firm and it has a team of professionals specializing in each of these areas.
The FAT - Future Thinking Architecture was created to support the internationalization strategy of the Architect Miguel Correia that characterized the last decade of his more than 25 years of experience.
The successful partnerships with architects Norman Foster, Terry Farrell, Marc Rolinet, Jean-Michel Wilmotte and Ricardo Bofill enabled the company to achieve a level of excellence, recognized nationally and internationally.