MUSEE SOULAGES DESIGN BY RCR ARQUITECTES WITH PASSELAC & ROQUES
MUSEE SOULAGES
DESIGN BY RCR ARQUITECTES WITH PASSELAC & ROQUES
In 2008, RCR
Arquitectes teamed up with the firm Passelac & Roques architects to take
part in the Greater Rodez Authority’s design competition for the Soulages
Museum. Chosen among 98 applicants, their project placed the museum on the
north side of the entirely renovated Foirail garden. They grasped the
significance of the site, considering it as a link between the historic centre
and the new quarters.
RESPECTFUL OF ITS
SURROUNDINGS
Respectful of its
surroundings, the building is organised in a succession of cubes. The intervals
remind the passerby of the ''fenestras'' in the Aveyron and gives way to
contemplation. Orientated towards the garden, the southern wall does not exceed
three meters whilst on the the northern side of the site, the ‘'boxes’'
overlook a pathway.
THE STEEL REFLECTS
PIERRE SOULAGES’ WORK
The cladding is made
of Corten steel also known as weathering steel. When exposed to bad weather
(i.e. to corrosion), this material creates a protective layer of rust.
''The Corten steel
ages with time and perfectly suits the park’s natural surroundings. It is not a
lifeless and sanitized material. Furthermore, its colour-range echoes Rodez’s
pink -rey colours.'' (RCR Arquitectes). The shades of this steel also reflect
Pierre Soulages’ work.
A UNIQUE PLACE
The Soulages Museum
is located in the heart of Rodez town, in Foirail Garden, a stone's thrown from
the cathedral. Designed and conceived by Catalan RCR Arquitectes– Passelac
& Roques Architects, the musem is spread on the north side of the entirely
renovated Foirail garden. It fits its surroundings perfectly. Well-known for
the attention they pay to the geographical location and surrounding scenery,
Ramon Vilalta, Carme Pigem et Rafael Aranda immediately understood the value of
that unique place.
THE LIGHT
The museum will take
the fragility of the collections into account. Arranged in practical volumes
around a monitored light, it will provide obscured and protected areas for
papers (Walnut Stains, printed works), whereas the five high ''boxes''
will harbour the
paintings and the cardboards of Conques' stained-glass windows under a zenithal
light.
4 LEVELS
Four levels. From top
to 1st floor:
-The storehouses
(safety standard)
-The documentary
centre and a workshop for children
- The permanent
exhibitions' rooms with the works from Soulages' donations
- The temporary
exhibition room dedicated to contemporary artists
All the information had taken by Musee Soulages which have about architectural
information of museum, architects information and Benoît Decron’s essay who is the Chief Curator & Director of the
Greater Rodez museums. Some photographs had taken by Musee Soulages and
photographer Vincent Boutin.
You may visit Pierre Soulages' information and paintings from my blog archive to click below link.
You may visit Pierre Soulages' information and paintings from my blog archive to click below link.
http://mymagicalattic.blogspot.com.tr/2014/08/french-painter-pierre-soulages.html
AN ‘’ UNUSUAL ‘’
MUSEUM
Neither a mausoleum
nor a monographic chore, the Soulages Museum will be a place for meetings and
new experiences. While being a genuine modern and contemporary art museum, it
will favour exchanges with similar institutions or foundations, with great freedom
in its choices from promising to seasoned artists, through different
themes and links
from one historical era to another (the Middle Ages, for instance, whom
Soulages holds dear).
The museum fits into
the European gathering of museums. The Soulages Museum will be ‘' unusual ‘
according to the painter's words,: '' It will highligt the process of artistic
creation, the role of the unexpected that lies in it, and without using banal
teaching methods, I hope it will open the eyes of the public and awake their
spirit to understand what art stands for. ''
Visitor services
will particularly strive to explain the meaning of the artist's know-how and
gestures. The audience will explore Pierre Soulages' works in the museum by
following an itinerary that combines the painter's history– his biography–with
other expressions of his creativity, such as oil paintings, paintings on paper,
printed works or stained-glass windows.
The bright rooms
with high ceilings will alternate with the darkened rooms with low ceilings to tackle
specific topics, including the very first figurative works Soulages made in
Rodez, the inspiration he found in the Aveyron, the hanging of artworks, the
Walnut Stains, the different techniques of engraving, or the works he did at
Conques.
Each aspect of the
donation will be associated with its constituent technique. That is why Conques
stained-glass windows are a link between monumental medieval heritage and
contemporary creation, and act as a catharsis: they are the accurate portrait
of the artist. In Conques abbey, Soulages thought of a new light. In Rodez, we
must show clearly how we can approach that form of light thanks to experimental
witnesses. From matter to thought, with tools and hands.
Benoît Decron,
Chief Curator & Director of the Greater Rodez museums
http://musee-soulages.grand-rodez.com/museum-soulages
RCR ARQUITECTES
RAFAEL ARANDA, CARME PIGEM & RAMON VILALTA
Rafael Aranda, Carme
Pigem and Ramon Vilalta, under the name of “RCR Arquitectes”, have been working
together since 1988 in Olot, Catalonia. They pay careful attention to the
geographical location and surrounding scenery. A quality , for which their work
was awarded consultant status for Garrotxa Volcanic Natural Park (Catalonia).
Their work has been praised all over the World.
The agency won
several national and international competitions:
Punta de la Aldea
Lighthouse in Gran Canaria in 1988, new Barcelona provincial courts in 2010,
in Belgium (Hofheide
crematorium, 2006–Gand media library), in Dubai (The Edge Business Bay, 2007),
and in France (The Soulages Museum, in Rodez, 2008–''La
Cuisine'' Arts
Centre, Nègrepelisse, 2009–Font-Romeu's school, 2010).
RCR Arquitectes has
been awarded all around the world.
2005: Prix national
de la culture, Prix d’Architecture de la Generalitat de Catalunya.
2008: Chevalier de
l’ordre des Arts et des Lettres in France.
2010: Honorary
member of the American Institute of Architects (AIA).
2012: Honorary
member of the Royal Institute of British Architects (RIBA).
Awards
Finalists of the
Mies Van der Rohe's European Union Prize.
Best eco-friendly
construction Quatrium Prize.
First LEED
certification in Catalonia.
They also won four
international prizes:
Contractworld, seven
FAD prizes, IV European Rosa Barba prize (ex aequo).
http://musee-soulages.grand-rodez.com/museum-soulages/
FRANCOIS ROQUES & ROMAIN PASSELAC
Respectively born in
1977 and 1978, François Roques and Romain Passelac both graduated from
Toulouse's National School of Architecture in 2002, having studied previously
in France and Spain. Before joining forces, the first one completed a higher
educational course in Canada, the second in Catalonia. Thanks to these diverse,
mutual and complementary experiences, a strong and stable professional
partnership grew naturally between the two architects. It led to the creation
of the
Passelac &
Roques Architects agency in 2004 in Narbonne. The agency had the chance to work
on diverse projects on different scales, which allowed it to gain knowledge in
varied areas such as architecture, city planning, reorganisation,
scenic design,
furniture and so forth. They recently delivered the Soulages in Rodez and a
wine cellar in Narbonne.
http://musee-soulages.grand-rodez.com/museum-soulages/
SCENIC DESIGN - PHILIPPE MAFFRE
Heritage
architect–Museum design (MAW ARCHITECTE)
Philippe Maffre has
been a licensed architect since 1987. Since 2005, he's been managing MAW (Maffre
Architecture Workshop), an architecture agency dedicated to develop heritage
sites. He completed the Ecole de Chaillot's Heritage Architecture DSA
from 2011 to 2013, which allowed him to work on listed historical monuments.
http://musee-soulages.grand-rodez.com/museum-soulages/