A
ANTONY GORMLEY AT XAVIER HUFKENS GALLERY
According to a Given Mean
March 28, 2013 - May 4, 2013
ANTONY
GORMLEY AT XAVIER HUFKENS GALLERY
According to
a Given Mean
March 28, 2013 - May 4, 2013
Xavier
Hufkens is pleased to present an exhibition of recent sculptures by Antony
Gormley. Taking a variety of geometries as a starting point for an
investigation of space, place and reflexive architecture, the works in according to a given mean explore
the ways in which mathematical principles of spatial organisation — ultimately
foreign to the body — are able to evoke states of being or mind and provoke
emotional responses through purely objective means.
A number of
works in the exhibition have evolved from the language of the polyhedra series
that was first exhibited at Xavier Hufkens in 2009 (examples of which can
currently be seen in the exhibition at Middelheim Museum, Antwerp). One example
is Sum (2012),
in the upstairs gallery: a floor-bound, dispersed, crystalline landscape that
encloses a body caught in a moment of aggregation or entropy. These sculptures
use masses and space-frames generated by the Weaire-Phelan ‘bubble matrix’ to
identify human forms in space. Gormley has since further experimented with
crystal aggregation, explaining: ‘I encountered a vast variety of geometries,
ranging from the pyramidal forms of sodium crystals to the more jagged
formation of copper sulphate. Intrigued by the ways in which iron pyrite forms
natural aggregates, I began to experiment and to use cuboids to form body
masses.’
according to a given mean explores two further avenues. One series of sculptures is made up of
randomly distributed, chain-like groupings of orthogonal space-frames that are
based on the proportions of the body. The frames are interwoven, dispersed or
suspended. In Frame (2013),
a six-times life-size body-form that falls diagonally across the gallery’s main
space, the volumes intersect and react to the specific dimensions of the
gallery whilst simultaneously lending their architectural surroundings a
figural association. The work is intended to act as a catalyst: by walking in,
through and around it, the viewer’s awareness of his/her own body is
intensified.
A second
series translates the volumes of the body into strict cubic frames or
solids. There are two modes: standing forms comprising unstable towers of
orthogonal cubes that seem to be at the point of collapse, and bodies at rest
which have lost their orthogonal qualities and are transformed into abstract
matrices. According to the artist: ‘The shift into these jumbled abstractions
was inspired, in part, by iron pyrite crystal agglomerations. For
instance, Resort III (2013),
which is placed in the entrance to the gallery, uses the language of mineral
precipitation to investigate the dependency of humans upon their habitat,
whilst blocks are incorporated into the feet of the standing works to
exaggerate their precariousness. This also references Brancusi’s interest in
turning the object’s isolation from the floor into the structure of the object
itself.’
Finally, Pump (2013), the first in
a new series of works, takes full advantage of the gallery’s height. This
extended body-case, with its head pinned to the floor under the pressure of its
vertical, thermometer-like body, tests the relationship of consciousness to
incarnation.
Xavier
Hufkens Gallery photographs had taken by Allard Bovenberg.
You may visit
another exhibition news of Antony Gormley at Middelheim Museum and another news
about his general exhibitions and projects to see click below links.
You may reach
Antony Gormley’s interview with Pierre Tillet and past exhibitions
news at Galerie Thaddaeus Ropac, Zentrum Paul Klee, Gallery
Andersson Stockholm, White Cube Gallery Hong Kong, Xavier Hufkens Gallery and
Middelheim Museum to click below links.
http://mymagicalattic.blogspot.com.tr/2015/03/antony-gormley-second-body-at-galerie.html
http://mymagicalattic.blogspot.com.tr/2014/11/antony-gormley-expansion-field-at.html
http://mymagicalattic.blogspot.com.tr/2014/09/antony-gormley-meet-at-gallery.html
http://mymagicalattic.blogspot.com.tr/2014/04/antony-gormley-states-conditions-at.html
A
FRAME, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
FRAME, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
FRAME, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
FRAME, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
CLUSTER, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
CLUSTER II AND A GIVEN MEAN I, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
LOT II, 2012
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
CLASP VII, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
MEAN III AND CLASP VII, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
MEAN III, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
VIEW FROM ANTONY GORMLEY'S STUDIO
VIEW FROM ANTONY GORMLEY'S STUDIO
LIE, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
FALL, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
INSTALLATION VIEW
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
COTCH X, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
MEAN, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
RESORT III, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
PUMP, 2013
Installation View
Xavier Hufkens, Brussels, Belgium
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium
Photograph Allard Bovenberg
© Antony Gormley
FALL, II
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
COTCH XI, 2013
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
SUM, 2012
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
Installation View
Xavier Hufkens, Brussels, Belgium, 2013
Photograph Allard Bovenberg
© Antony Gormley
ANTONY GORMLEY
Antony
Gormley is widely acclaimed for his sculptures, installations and public
artworks that investigate the relationship of the human body to space. His work
has developed the potential opened up by sculpture since the 1960s through a
critical engagement with both his own body and those of others in a way that
confronts fundamental questions of where human being stands in relation to
nature and the cosmos. Gormley continually tries to identify the space of art
as a place of becoming in which new behaviours, thoughts and feelings can
arise. Gormley's work has been widely exhibited throughout the UK and
internationally with exhibitions at Centro Cultural Banco do Brasil, São Paulo,
Rio di Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State
Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010);
Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana
Museum of Modern Art, Humlebæk, Denmark (1989). He has also participated in
major group shows such as the Venice Biennale (1982 and 1986) and Documenta 8,
Kassel, Germany (1987). Permanent public works include the Angel of the North
(Gateshead, England), Another Place (Crosby Beach, England), Inside Australia
(Lake Ballard, Western Australia) and Exposure (Lelystad, The