MIDDELHEIM
MUSEUM UNVEILS A NEW ADDITION TO ITS PERMANENT COLLECTION BY ANTONY GORMLEY AND
OPENS RELATED EXHIBITION AND COLLECTION PRESENTATION
February 21,
2013 - May 5, 2013
British
artist Antony Gormley is the second guest artist to come and display his work
in the renovated Middelheim Museum. The Firmament and Other Forms exhibition, a
series of sculptures that have never been shown together to the public before,
will be open from 24 February to 5 May in Het Huis (The House) at the
Hortiflora. This exhibition was put together following the gift of the major
work Firmament III by the artist’s gallery, Xavier Hufkens. Starting on 24
February, the collection presentation 1+1=33, with works by Vic Gentils and
Rezsö Berczeller, will be presented and can be viewed in the Braempaviljoen
(Braem Pavilion).
Antony
Gormley (1950, United Kingdom) follows Thomas Schütte as guest exhibitor in the
new semi-open exhibition pavilion Het Huis (The House), built by Robbrecht and
Daem for the renovated Middelheim Museum. The open-air museum is now organising
three exhibitions each year. The Braempaviljoen (Braem Pavilion) will feature
two collection presentations each year.
Firmament III
Antony Gormley’s pieces are on display in many prestigious galleries and
museums around the world. Now the artist’s gallery, the Brussels-based Xavier
Hufkens, has made possible an important donation: Firmament III.
The work is
displayed at a unique location in the oldest section of the Middelheim Museum
next to the main entrance. The work can now be seen on a permanent basis.
Firmament III
(2009) is an irregular three dimensional net surrounding a human-shaped void
approximately ten times life-size. At the open-air museum this work will pick
up the light of the changing seasons and be a constant invitation to the
visitor to consider his or her place in the order of things.
Exhibition
Firmament and Other Forms in Het Huis To highlight this extraordinary
acquisition, a series of Gormley’s ‘polyhedra’ sculptures – never before
exhibited as a collection – will be on display in Het Huis (The House), the new
exhibition pavilion designed by Robbrecht and Daem, from 24 February until 5
May 2013. In the words of the artist: ”This exhibition questions the human
body’s attachment to architecture and investigates the place of the human body
within the wider frame of things and worlds. All the works are based on the
‘bubble-matrix’; a random, but consistent geometry found in nature which also
forms the structural syntax of Firmament III.” For almost forty years Antony
Gormley has been exploring the relationship between the body and the space that
surrounds it. Sometimes the interaction between the two is clear, as in Another
Place or Inside Australia, in which figurative works are placed within a vast
landscape. But sometimes the link is less obvious. Sculptures such as Clearing
or Blind Light create a framework within which the viewer becomes the focus of
attention.
Antony
Gormley always uses his own body as a test site. This can be taken literally:
he frequently casts his sculptures from his own body. What interests the artist
is not only the aesthetic, but also the human aspect of the form: the person as
an individual, as a member of the collective and as an object in relation to
space and the natural world. Antony Gormley often engages in public art as
well. A well-known example of such a participative work is One & Other, his
interpretation of the Fourth Plinth art project in London’s Trafalgar Square.
Along with
the opening of Firmament and Other Forms by Antony Gormley, the Middelheim
Museum is launching a brand new collection of publications that will from now
on be released on the occasion of temporary exhibitions in the open-air museum.
You may reach
Antony Gormley’s interview with Pierre Tillet and exhibitions
news at Galerie Thaddaeus Ropac Paris, Zentrum Paul Klee, Gallery
Andersson Stockholm, White Cube Hong Kong, and Xavier Hufkens Gallery to click
below links.
Also you may
watch a video to see Antony Gormley’ s working in his Studio and view from
exhibition at Middelheim Museum to click below cobra.be web page.
Some photographs had taken from cobra.be’ s video that have writing on Antony
Gormley’s explanation.
http://mymagicalattic.blogspot.com.tr/2013/12/british-artist-antony-gormley.html
http://mymagicalattic.blogspot.com.tr/2015/03/antony-gormley-second-body-at-galerie.html
http://mymagicalattic.blogspot.com.tr/2014/04/antony-gormley-states-conditions-at.html
http://mymagicalattic.blogspot.com.tr/2014/09/antony-gormley-meet-at-gallery.html
CUMULATE, 2011
Cast Iron
Dimensions: 180 x 47 x 50 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
Cast Iron
Dimensions: 180 x 47 x 50 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
CUMULATE, 2011
CUMULATE, 2011
Cast Iron
Dimensions: 180 x 47 x 50 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
Cast Iron
Dimensions: 180 x 47 x 50 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
CORNER II, 2012
Cast Iron
Dimensions: 73 x 55 x 66 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
Cast Iron
Dimensions: 73 x 55 x 66 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
CORNER II, 2012
CUMULATE III, 2011
3 mm Square Section Stainless Steel Bar
Dimensions: 184 x 47 x 50 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
3 mm Square Section Stainless Steel Bar
Dimensions: 184 x 47 x 50 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
FUSE, 2011
Cast Iron
Dimensions: 23 x 205 x 58 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Pieter Boons
Cast Iron
Dimensions: 23 x 205 x 58 cm
Installation Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Pieter Boons
© Antony Gormley
FREEZE III, 2012
2 mm Square Section Stainless Steel Bar
Dimensions: 235 x 170 x 125 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
2 mm Square Section Stainless Steel Bar
Dimensions: 235 x 170 x 125 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
LIMN III, 2012
Cast Iron
Dimensions: 168 x 57 x 48 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
Cast Iron
Dimensions: 168 x 57 x 48 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
LIMN III, 2012
A
A
A
RESORT II, 2012
Cast Iron
Dimensions: 37 x 197 x 49 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
Cast Iron
Dimensions: 37 x 197 x 49 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
FIRMAMENT III - 2009
ABSTRACT, 2011
Cast Iron
Dimensions: 81 x 62 x 72 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
Cast Iron
Dimensions: 81 x 62 x 72 cm
Installation view, Middelheim Museum, Antwerp, Belgium, 2013
Photograph by Joris Casaer
© Antony Gormley
ANTONY GORMLEY
Antony
Gormley is widely acclaimed for his sculptures, installations and public
artworks that investigate the relationship of the human body to space. His work
has developed the potential opened up by sculpture since the 1960s through a
critical engagement with both his own body and those of others in a way that
confronts fundamental questions of where human being stands in relation to
nature and the cosmos. Gormley continually tries to identify the space of art
as a place of becoming in which new behaviours, thoughts and feelings can
arise. Gormley's work has been widely exhibited throughout the UK and
internationally with exhibitions at Centro Cultural Banco do Brasil, São Paulo,
Rio di Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State
Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010);
Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana
Museum of Modern Art, Humlebæk, Denmark (1989). He has also participated in
major group shows such as the Venice Biennale (1982 and 1986) and Documenta 8,
Kassel, Germany (1987). Permanent public works include the Angel of the North
(Gateshead, England), Another Place (Crosby Beach, England), Inside Australia
(Lake Ballard, Western Australia) and Exposure (Lelystad, The